Constructing Collective Identity Through Reciprocal Communication in BTS THE COMEBACK LIVE | ARIRANG: A Fantasy Theme Analysis
DOI:
https://doi.org/10.55927/eajmr.v5i9.271Keywords:
BTS, Symbolic Convergence Theory, Fantasy Theme Analysis, ARMY, Collective IdentityAbstract
This qualitative interpretive study examines how BTS THE COMEBACK LIVE | ARIRANG constructs collective identity through reciprocal communication between BTS and ARMY using Ernest G. Bormann's Symbolic Convergence Theory and Fantasy Theme Analysis. Based on systematic observation of the Netflix concert, the analysis identifies fantasy themes of reunion, Korean cultural identity, authenticity, and shared resilience. These themes develop through fantasy chains, symbolic cues, and audience participation, culminating in a rhetorical vision of 'moving forward together.' The study argues that globally streamed concerts function as communicative spaces where collective identity is co-created rather than transmitted one-way.
References
Abdalla, B. A., Abbas, Y. N., Fattah, F. H., Ghafour, A. K., Hamasaeed, A. Gh., Ezzat, S. L., Hasan, S. J., Sadullah, A. D., Hamasalih, H. M., Mohammed, K. K., Najar, K. A., & Kakamad, F. H. (2026). Qualitative research and data analysis across methodological traditions: A narrative review. Journal of Medicine, Surgery, and Public Health, 9, 100240. https://doi.org/https://doi.org/10.1016/j.glmedi.2026.100240
Abu Bakar, M. S., & Mohd Zulkifli, N. A. N. (2025). The Perceptions and Challenges of Streaming Services in Malaysia: A Qualitative Study on Netflix. International Journal of Academic Research in Progressive Education and Development, 14(3). https://doi.org/10.6007/ijarped/v14-i3/24670
Aurora, R. A., Puspita, V., Maharani, A., & Wiranito, N. (2024). Exploring Fantasy Theme Analysis: Unravelling Fandom Dynamics in BTS ARMY. Action Research Literate, 8(5). https://arl.ridwaninstitute.co.id/index.php/arl
Ba, L., & Zhao, W. G. W. (2021). Symbolic Convergence or Divergence? Making Sense of (the Rhetorical) Senses of a University-Wide Organizational Change. Frontiers in Psychology, 12. https://doi.org/10.3389/fpsyg.2021.690757
Bormann, E. G. (1985). Symbolic Convergence Theory: A Communication Formulation. Journal of Communication, 35(4), 128–138. https://doi.org/10.1111/j.1460-2466.1985.tb02977.x
Braithwaite, D., Schrodt, P., & Kellas, J. (2006). Symbolic Convergence Theory: Communication, Dramatizing Messages, and Rhetorical Visions in Families. In Engaging Theories in Family Communication: Multiple Perspectives (pp. 146–162). https://doi.org/10.4135/9781452204420.n10
Cover, R. (2023). Identity and Digital Communication.
Endres, T. (2016). Symbolic Convergence Theory (pp. 1–8). https://doi.org/10.1002/9781118766804.wbiect083
Goncharenko, M., Zhen Zhen, W., Yi Yang, X., Ahmed Ismail, N., & Rui Xu, D. (2023). NETFLIX, THE SUCCESS OF A GLOBAL STORYTELLING. In JOURNAL OF BUSINESS AND SOCIAL SCIENCES (Vol. 2023).
Griffin, E. M., Ledbetter, A., & Sparks, G. (2019). A First Look at Communication Theory Tenth Edition.
Hartono, H. K., & Abdullah, T. (2026). Understanding fan motivation and audience experience in the context of K-pop concerts. International Journal of Event and Festival Management, 1–24. https://doi.org/10.1108/IJEFM-09-2025-0146
Hawhee, D. (2011). Looking Into Aristotle’s Eyes: Toward a Theory of Rhetorical Vision. Advances in the History of Rhetoric, 14. https://doi.org/10.1080/15362426.2011.613288
Ionescu, Ş. (2020). Collective Identity, between Ideology and Cooperation. In Public Reason (Vol. 12, Number 2).
Morin, N. (2026, March 27). BTS on Netflix: What to Know About the Comeback Performance and Documentary. Https://Www.Netflix.Com/Id/Title/82157128.
Penrod, J. C. (2011). Reciprocal Communication as a Form of Nonverbal Reciprocal Communication as a Form of Nonverbal Communication: A Qualitative Approach Communication: A Qualitative Approach. https://scholarsarchive.byu.edu/etd
Pradnyasari, K., Saputri, W., Atma, U., Yogyakarta, J., & Lammertz, S. (2024). Exploring the BTS Army Fandom: A Comprehensive Review. In LATTE: A Journal of Language (Vol. 1, Number 1).
Ramadhani, A., Utari, P., & Hartjarjo, S. (2024). THE USE OF SYMBOLIC CONVERGENCE IN K-POP ALBUM MARKETING (MARKETING OF “ISTJ” ALBUM AMONG NCTZEN) A RTICLE I NFORMATION ABSTRACT.
Sanden, P. (2013). Liveness in Modern Music. Routledge.
Wu, S., Tejo Sampurno, M. B., & Leng, P. (2026). How China’s Spring Festival Gala Turns Cultural Recognition into National Belonging. https://doi.org/10.21203/rs.3.rs-8872367/v1
Xi, Q. (2024). Netflix’s Strategies, Innovations, and Challenges in Shaping the Future of Television Media. Communications in Humanities Research, 27, 246–249. https://doi.org/10.54254/2753-7064/27/20231977
Yim, H. (2002). Cultural identity and cultural policy in South Korea. International Journal of Cultural Policy, 8(1), 37–48. https://doi.org/10.1080/10286630290032422
Downloads
Published
Issue
Section
License
Copyright (c) 2026 Desi Anggi Ramadhani, Pawito Pawito, Andre N. Rahmanto

This work is licensed under a Creative Commons Attribution 4.0 International License.





























